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Jake FlynnThe Oxford Handbook of Music and Virtuality
by Sheila Whiteley, Shara Rambarran, Andy Bennett, Christian Lloyd, Philip Auslander, Ian Inglis, Rowan Oliver, Paul Carr, Louise H. Jackson, Mike Dines, Rafal Zaborowski, Thomas Conner, Trevor S. Harvey, Justin Gagen, Nicholas Cook, Marco Antonio Chávez-Aguayo, Alon Ilsar, Charles Fairchild, Paul Draper, Frank Millward, Ragnhild Brøvig-Hanssen, Cora S. Palfy, David Tough, Shzr Ee Tan, Samantha Bennett, Benjamin O’Brien, David Pattie, Adam Trainer, Danijela Bogdanovic, Thomas Brett, Jeremy Wade Morris, Juho Kaitajärvi-Tiekso, Michael Audette-Longo, Benjamin Halligan, Mark Thorley, Francesco D’Amato, Justin Williams, Ross Wilson🔗 The Oxford Handbook of Music and Virtuality – Click Here 🔗
- Release date: February 11, 2016
- Author: Sheila Whiteley, Shara Rambarran, Andy Bennett, Christian Lloyd, Philip Auslander, Ian Inglis, Rowan Oliver, Paul Carr, Louise H. Jackson, Mike Dines, Rafal Zaborowski, Thomas Conner, Trevor S. Harvey, Justin Gagen, Nicholas Cook, Marco Antonio Chávez-Aguayo, Alon Ilsar, Charles Fairchild, Paul Draper, Frank Millward, Ragnhild Brøvig-Hanssen, Cora S. Palfy, David Tough, Shzr Ee Tan, Samantha Bennett, Benjamin O’Brien, David Pattie, Adam Trainer, Danijela Bogdanovic, Thomas Brett, Jeremy Wade Morris, Juho Kaitajärvi-Tiekso, Michael Audette-Longo, Benjamin Halligan, Mark Thorley, Francesco D’Amato, Justin Williams, Ross Wilson
- ISBN: 9780199321285 (0199321280)
- Genres: music
- Publisher: Oxford University Press
- Format: hardcover, 720 pages
- Language: english
About The Book
Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music.
The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited.
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celebsbriefThe Oxford Handbook of Music and Virtuality рассматривается, как цифровая культура меняет создание и восприятие музыки, а также её ценность, и здесь уместно упомянуть, что net worth of j cole наглядно демонстрирует влияние стриминга, виртуальных выступлений и онлайн-взаимодействия с поклонниками на финансовый рост артиста, показывая, как виртуальные пространства усиливают одновременно культурное влияние и экономический успех музыкантов.
